Aspiring musician but your sense of rhythm leaves something to be desired? Need some coaching? Rehearsals in adequate places? The Comunidad de Madrid, through the METRÓNOMO, is giving FREE help to make your dream come true!
THE METRÓNOMO (Metronome)
WHAT CAN YOU DO IN THE COMUNIDAD DE MADRID’S METRÓNOMO?
REHEARSAL ROOMS
Classical music
Two rooms of 22 and 25 m2 that in addition to all the equipment have a vertical digital piano Clavinova, CLP series, model CLP 635B each.
Contemporary music
There are 6 rooms for contemporary music, four of 15m2 and two other rooms of 30 m2.
Electronic music
A room of 33 m2.
Multipurpose room
This is a room of 44 m2 that can function as a small auditorium for a mini-meeting. It includes a Clavinova CLP series digital grand piano, CLP 665GP PE model.
Metronómo will inform and advise you while you are using the rehearsal rooms on:
To reserve a rehearsal room send your request to info@metronomo.org or call 910 594 254.
If a minor, include authorization by one of your parents or guardian.
RECORDING STUDIO
Record your demos and make arrangements and compositions with professional equipment and the support of a sound technician
Just apply!
LEARN WITH METRONOME
Go to Metronome online (Juventud Comunidad de Madrid – YouTube ) on our YouTube channel and learn about guitar, pedals, drums, mixing desks, amplification and sound.
For each type of song, there are 3 video tutorials.
Address, phone & email
C/ Áncora, 43
28045 Madrid
Phone: 910 594 254
Email: info@metronomo.org
How to get there
Buses: 8, 47, 55, 102 and 247. Buos (Owls) N11 and N13
Metro: Atocha Renfe
Train: Atocha
BiciMad: Calle Juan Martín El Empecinado, 14 and Calle Palos de la Frontera, 40
Private bicycle parking
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Text: Comunidad de Madrid ( https://www.comunidad.madrid/centros/metronomo )
Images (Generic from Pixabay)
Featured image (guitar)/Céline Martin
Piano keys and notes/Gerd Altmann
Drum set/F. Muhammad
Concert/Free-Photos
Mixer/Sebbi Strauch
bike/Harald Landsrath
Texts, prints, photos and other illustrative materials depicted in GUIDEPOST have been either contributed by the authors of each published work or, to the Magazine’s good-faith knowledge, are in the public domain or otherwise benefit from the allowances of Articles 9(2), 10, 10(bis), and applicable others of the Berne Convention for the Protection of literary and artistic works.